Killing Eve - Season 3
In the first season, Eve is bored with her protection role in MI5 and, after brashly investigating the behind-the-scenes of a witness she is handling, she is fired. However, her passion for female assassins later leads to her joining an undercover division within MI6 whose task is to pursue and locate Villanelle, a ruthless international assassin who works for a secret organization called The Twelve. When Eve and Villanelle cross paths they begin a cycle of obsession which leads them away from their individual missions and closer to each other.
Killing Eve - Season 3
In the second season, after a violent encounter at the end of season one, Eve and Villanelle resume their obsessive relationship while continuing their separate missions. Eve works to solve kills set by The Twelve while Villanelle continues to kill for The Twelve; however, after a new killer appears on the scene, the focus changes for The Twelve and MI6, as both women are pitted to work with each other. A dangerous mission leads Eve and Villanelle to Rome where their own lives are at stake.
The third season picks up six months after the fallout of the mission in Rome. Eve, traumatised by her near-death experience at the hands of Villanelle, quits MI6 and begins living a low-profile existence, whilst Villanelle attempts to discover new ways of earning a living after she stops killing for The Twelve. However, the unexpected arrival of her former Twelve trainer leads Villanelle to question who she really is and if killing is what she's made for, whereas Eve begins looking into The Twelve again after they murder someone close to her, leading both women to cross paths once more.
The fourth and final season picks up soon after the third with Eve now desperate for revenge on The Twelve whilst Villanelle is eager to change for Eve. However, due to their different outlooks on their personal missions, Eve and Villanelle begin to clash leading them off into their separate directions but both eventually aiming for the same goal, destroying The Twelve.
Less than twelve hours after the premiere of the second series, BBC America renewed the series for a third. Suzanne Heathcote served as showrunner, so that each new season of Killing Eve brings on a new female showrunner.
Irish broadcaster RTÉ2 was the first broadcaster in Europe to premiere the show, with the first episode broadcast to 76,000 viewers on 27 August 2018. The final season will premiere on 1 March 2022 on RTÉ One.
A pink tulle dress worn in the first-series episode "I'll Deal with Him Later", designed by Molly Goddard, was heralded as a "fashion moment" that inspired the dresses worn on red carpets in the subsequent awards season, including an overwhelming showing of pink at the 91st Academy Awards ceremony in 2019.
On Rotten Tomatoes, the second series has an approval rating of 92% based on 163 reviews, with an average rating of 8.15/10. The website's critical consensus reads, "With the titillating cat-and-mouse game still rooted at its core, Killing Eve returns for an enthralling second season of considerably higher stakes, hilariously dark humor and a captivating dynamic between characters, solidifying its position as one of the best spy thrillers out." On Metacritic, it has a weighted average score of 86 out of 100 based on 22 critics, indicating "universal acclaim".
On Rotten Tomatoes, the third series has an approval rating of 80% based on 158 reviews, with an average rating of 6.75/10. The website's critical consensus reads, "If Killing Eve's third season doesn't cut quite as deep, it's still a fiendishly delightful showcase for Jodie Comer and Sandra Oh's killer chemistry." On Metacritic, it has a weighted average score of 63 out of 100 based on 16 critics, indicating "generally favourable reviews".
On Rotten Tomatoes, the fourth series has an approval rating of 56% based on 89 reviews, with an average rating of 6.55/10. The website's critical consensus reads, "Villanelle's found religion in Killing Eve's climactic season, but this series has spun its wheels for so long that the thrill is gone." On Metacritic, it has a weighted average score of 55 out of 100 based on 14 critics, indicating "mixed or average reviews".
What happened after that tender moment on the bridge? All our questions will be answered when the fourth and final season of Killing Eve premieres Sunday, February 27th. All episodes are available to stream on Hulu and AMC+.
Season Three is the third season of the BBC America television series Killing Eve. The third season was announced on April 8, 2019, just a day after the second season premiered. It was scheduled to premiere Sunday, April 26, 2020 but the premiere was moved up two weeks to April 12 due to the COVID-19 outbreak.
And they do walk. Five paces, ten, a hundred. But then, as if by mutual agreement, they stop, and Eve turns, and Villanelle does, too. They look back. They look at each other. And what happens next? We'll have to wait until next season to find out: for now, the Eve-Villanelle relationship status is "gazing longingly at each other," and then a cut to black.
ENTERTAINMENT WEEKLY: This was the quietest of the Killing Eve finales. After the writers left viewers cliffhanging first on a stabbing and then a shooting, what appealed to them about ending this season on a more personal, intimate note?
Villanelle had quite a journey this season, in her search for family and meaning in her life, and having agency over it. Is this psychopath capable of real change? How much growth is even possible here? But these have been some of the most hopeful moments to date.
There always has been, really, from season 2 onwards: "What does that relationship look like?" And if they were to sit down and have another proper couples counseling, somebody might come out of that going, "Really? You really think this is going to last?" Maybe we'll do that. I'd love to see a couples counseling between Eve and Villanelle.
Is that the end of the investigation into Kenny's death? That was a big mystery building all season and it's dispatched of somewhat quickly at the end with Konstantin and his flimsy explanation.
I think there is a bigger change in Carolyn. Our backstory for Carolyn is there in the show, which she is born into a diplomatic family. She's worked that system, she knows how it operates. There's always somebody that will come and clean up the mess. But shooting Paul is the biggie. We have seen that she's far, far more broken by the death of Kenny. She's not an android. She cares and feels deeply, and Kenny was her child and she said he was always mine. Geraldine was her father's, but Kenny was hers. And ultimately she brought that boy into that world, and she feels massively responsible for his death. So I don't think she's as bouncy as Villanelle is. I do think Fiona Shaw is brilliant. She's absolutely exceptional in this season.
Perhaps the problem with the disparate nature of the show is the constant change in show runners. The first season was run by creator Phoebe Waller-Bridge (Fleabag), who adapted the show from the Villanelle novel by Luke Jennings. Waller-Bridge, known for her out-of-the-box creative choices, brought her particular flair the writing, and the show has, in my opinion, suffered without her. Season 2 was run by Emerald Fennel, and the new season, by Suzanne Heathcote. The show gets less and less cohesive with each change in leadership, and it feels further than ever from what season 1 set out to do.
While the premiere ended on a shocking moment of tragedy, which you can read more about here, it opened on an unexpected celebration of life. Taking place a few months after the season two finale, Villanelle (Jodie Comer) surprisingly finds herself getting married to a wealthy woman.
Heathcote: It was fairly early because, in the writer's room, we were really thinking about after the trauma. I really wanted to look at consequences this season and really honor what had happened to the characters up to this point. And so to bring Eve back, it has to be something monumental. I felt after the crime she committed through her own eyes at the end of season two, she feels she's a danger to the world almost. And so to bring her back, it would have to be something that meant an enormous amount to her personally.
Heathcote: Yeah. I really wanted someone to work with Villanelle. Villanelle felt she'd kind of met her match to a degree, her previous handler. And obviously Konstantin is still very much part of the show, and his relationship with Villanelle is still very much part of the show, but her handlers, up to this point, have been people that she has been able to manipulate to a degree. I mean, last season obviously he was more menacing, but I was really interested in the female/female dynamic and someone that she'd known previously.
Acuna: I think one of the most surprising moments of the episode, other than the very end of the episode, was seeing Villanelle get married at the episode start and then see Dasha. But that was really shocking that she was even getting married, and then she just departs the scene with Dasha. Should we expect that to maybe catch up with her at all in this season? Or is this just a one-off thing to try and show that Villanelle tried to move on and escape her past? We saw Eve try to escape the past of her life, but clearly, both of them can't run away from their pasts.
Heathcote: But yeah, we were really thinking how would Villanelle want to feel in control again after what happened? Because she felt such a loss of control at the end of season two, which is why she commits that act of violence against Eve because she doesn't feel in control of that relationship. And so she would find a dynamic where she could yet again feel in control, but as we know, it's not a relationship they can escape, and of course, as things develop and she realizes Eve's alive, even more so. 041b061a72